My artistic journey has been shaped by the convergence of two worlds: that of traditional art — where I took my first steps through painting, sculpture, and manual creation — and that of digital technologies, which I gradually embraced through 3D production and synthetic imagery. Over more than two decades navigating these two realms, I’ve witnessed firsthand the growing influence of technology in artistic practice — and also its consequences.

Over time, a persistent feeling began to emerge: that the sensitive and spiritual dimension of art was being increasingly overshadowed, especially in the common view that equates innovation strictly with technical performance. This tension between poetic depth and technological logic became the core of my reflection — and the starting point of my research.

In this study, I turn to the artistic theory of Wassily Kandinsky, who saw art as a means to access the invisible, to touch the soul, and to awaken a spiritual connection. In an era where technology seems to govern nearly every aspect of creation, his ideas feel more relevant than ever.

I developed a digital prototype inspired by Kandinsky’s concepts, seeking to explore how his aesthetic and philosophical insights could expand the potential of contemporary digital design. The goal is not to reject technology, but to reposition it: as a tool, not an end; as an ally to sensibility, not its replacement. It’s an invitation to think of the digital space as one of resonance, of interiority — of art, in its fullest sense.